NettetIn Josef Albers. His best-known series of paintings, Homage to the Square (begun in 1950 and continued until his death), restricts its repertory of forms to coloured squares superimposed onto each other. The arrangement of these squares is carefully calculated so that the colour of each square optically alters the sizes, hues, and…. Read More. NettetPerhaps the most influential artist of the 20th century, Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso’s sizable oeuvre grew to ...
Homage to the Square painting series by Albers Britannica
NettetJosef Albers’s extensive series, “Homage to the Square,” occupied him for more than 25 years. The artist, an early student (and later, a professor) of the Bauhaus, the … NettetJosef Albers began his Homage to the Square series in the summer of 1949, and made more than a thousand related paintings (ranging in size from 12- to 48-inch squares) over the next twenty-five years. Albers developed four related layouts, three of them composed of three squares each, and the fourth composed of four squares. These strictly … trendstone classic collection
Josef Albers. Joy from Homage to the Square: Ten Works …
NettetHomage to the Square: Diffused is one of hundreds of concentric-square paintings the artist made between 1949 and 1976. Each work in the series is designed to demonstrate the complex perceptual effects produced by the interaction of different colors. On the back of this panel Albers specified the four colors and brands of yellow paint used, all ... NettetAs its title indicates, the painting is a study for one of Albers’s Homage to the Square series of paintings, which he began c.1949–50. Albers made more than 2,000 of these … NettetAlbers began making his Homage to the Square painting series around 1951. The works here mark one of the first occasions he explored this imagery in print. The viewer is meant to perceive shifting depth and changes of tone at the outer and inner perimeters of these nesting squares, even though the areas are printed in solid, unmodulated color. trendstone ground face